Badrulzzaman Abu

Badrulzzaman Abu, a talented artist hailing from Sg. Petani, Kedah, embarked on his artistic journey with initial training at UiTM Seni Iskandar in Perak. His dedication to the craft led him to further his education, earning both a bachelor’s and a master’s degree from UiTM Shah Alam in 2018 and 2019, respectively.
Badrulzzaman is renowned for his captivating yet seemingly random landscape paintings, predominantly created using bitumen and oil. His body of work delves into the realm of mental imagery, exploring themes of personal reflection and geopolitical concerns.
For Badrulzzaman, flowers hold a special place in the natural order of things. His art often showcases flowers in diverse contexts, whether within serene landscapes alongside other flora or as integral components of lush horizontal vistas. His paintings do more than just capture the visual beauty of nature; they convey the deep significance of nature to human existence and our sustenance. Nature is not just a backdrop; it’s the wellspring of life, in harmony with our innate “fitrah” and a wellspring of inspiration, enchanting us with its exquisite beauty. These encounters with nature stir profound emotions, awakening our senses.
Badrulzzaman’s art is suffused with optimism, portraying nature idealistically with bold brushwork and vibrant, non-naturalistic color palettes. This approach allows for subjective interpretations, where subjectivity takes center stage, adorned with surrealist undertones and shallow-space composition. The mysterious ambiance of Badrulzzaman’s work defies conventional forms, reminiscent of fauvism’s intentional disproportion. Unlike his earlier, more realistic work, his current style leans towards simplicity and naivety, embodying his environmental message and concern for the sustainability of our natural resources.
Badrulzzaman’s artwork also pays tribute to the profound connection between humans and nature, particularly within the Malay community. He prominently features wildflowers and other indigenous plants in his work, which bear significant cultural relevance. These creations are a valuable reflection of his upbringing, deeply rooted in the rich tapestry of Malay culture.